The glaze doesn't follow a plan — it moves the way water does, finding its own path down the body of the cup as the kiln's heat reaches its peak.
This is the 삼색 유약 흐름 잔 — the Three-Colour Glaze Flow Cup — shaped at Tovy through the tradition of high-fired Korean stoneware. Each cup is a record of a single firing: the layered glazes cascade and merge in ways that cannot be predicted or repeated, rooting every piece in the irreplaceable particularity of the hand and the flame. The flowing form draws on Korea's long stoneware lineage — a craft that has always understood beauty as something found rather than planned. Where others borrow from adjacent aesthetic traditions, PEUM traces this beauty directly to its origin: the unhurried, form-follows-material craft of Korea's own ceramic heritage.
Set on a low wooden surface for afternoon Darye (다례, Korean tea ceremony), where the cup's quiet movement encourages slower, more deliberate sipping. Placed on a dark ceramic saucer for shelf display, the glaze gradients read as small-scale landscape painting. A single pour of soju or makgeolli in this compact form concentrates the ritual into one considered gesture.
A rare find for those drawn to pieces that carry their own unrepeatable history — every cup will look different, and that is precisely the point. Handcrafted in South Korea by Tovy.